Evolution of the Ride Pattern

EVOLUTION OF THE RIDE PATTERNby Dr. Colleen Clark installment SEVEN: transition to bebop – THE INFLUENCE OF KENNY CLARK In this lesson series, Zildjian artist Colleen Clark provides a historiographical and musical analysis examining the jazz ride cymbal pattern, from its inception on woodblock, small accessory cymbals, hand cymbal mechanisms and brushes through what becomes …

07: Evolution of the Ride Pattern – Transition to Bebop, the Influence of Kenny Clarke Read More »

EVOLUTION OF THE RIDE PATTERNby Dr. Colleen Clark installment six: THE PATTERN PLAYED ON large CYMBALS1928-1940 In this lesson series, Zildjian artist Colleen Clark provides a historiographical and musical analysis examining the jazz ride cymbal pattern, from its inception on woodblock, small accessory cymbals, hand cymbal mechanisms and brushes through what becomes known as the …

06: Evolution of the Ride Pattern – Pattern Played on Large Cymbals Read More »

EVOLUTION OF THE RIDE PATTERNby Dr. Colleen Clark installment FIVE: ZILDJIAN’S INFLUENCE ON JAZZ AND THE PATTERN In this lesson series, Zildjian artist Colleen Clark provides a historiographical and musical analysis examining the jazz ride cymbal pattern, from its inception on woodblock, small accessory cymbals, hand cymbal mechanisms and brushes through what becomes known as …

05: Evolution of the Ride Pattern – Zildjian’s Influence on the Ride Pattern Read More »

EVOLUTION OF THE RIDE PATTERNby Dr. Colleen Clark installment FOUR: THE PATTERN PLAYED ON SMALL CYMBALS1927-1933 In this lesson series, Zildjian artist Colleen Clark provides a historiographical and musical analysis examining the jazz ride cymbal pattern, from its inception on woodblock, small accessory cymbals, hand cymbal mechanisms and brushes through what becomes known as the …

04: Evolution of the Ride Pattern – Pattern Played on Small Cymbals Read More »

EVOLUTION OF THE RIDE PATTERNby Dr. Colleen Clark installment THREE: BONUS HI-HAT LESSON In this lesson series, Zildjian artist Colleen Clark provides a historiographical and musical analysis examining the jazz ride cymbal pattern, from its inception on woodblock, small accessory cymbals, hand cymbal mechanisms and brushes through what becomes known as the modern-day ride cymbal …

Evolution of the Ride Pattern: Bonus Hi-hat Lesson Read More »

EVOLUTION OF THE RIDE PATTERNby Dr. Colleen Clark installment THREE: The pattern played ON HAND-HELD CYMBALS AND HI-HATS1928-1936 In this lesson series, Zildjian artist Colleen Clark provides a historiographical and musical analysis examining the jazz ride cymbal pattern, from its inception on woodblock, small accessory cymbals, hand cymbal mechanisms and brushes through what becomes known …

03: Evolution of the Ride Pattern – Pattern Played on Hi-hats Read More »

EVOLUTION OF THE RIDE PATTERNby Dr. Colleen Clark installment TWO: The pattern played with brushes1927-1933 In this lesson series, Zildjian artist Colleen Clark provides a historiographical and musical analysis examining the jazz ride cymbal pattern, from its inception on woodblock, small accessory cymbals, hand cymbal mechanisms and brushes through what becomes known as the modern-day …

02: Evolution of the Ride Pattern – Pattern Played with Brushes Read More »

EVOLUTION OF THE RIDE PATTERNby Dr. Colleen Clark installment one: The pattern on non-drum surfaces1917-1924 In this lesson series, Zildjian artist Colleen Clark provides a historiographical and musical analysis examining the jazz ride cymbal pattern, from its inception on woodblock, small accessory cymbals, hand cymbal mechanisms and brushes through what becomes known as the modern-day …

01: Evolution of the Ride Pattern – Pattern on Non-drum Surfaces Read More »