Drum Set Transcriptions:
Carlin White “Looking for a Change”
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Learn with Zildjian Artists01: Crash Cymbals – Fundamental Playing Techniques02: Crash Cymbals – Creating Consistent Crashes03: Crash Cymbals – Choking and Muffling the Cymbals04: Crash Cymbals – Playing Softer Crashes05: Crash Cymbals – Cymbal Selection06: Crash Cymbals – Use Your Ears, Not Just the Printed Parts07: Crash Cymbals – Musicianship and Teamwork08: Suspended Cymbal – Overview and Implement Selection09: Suspended Cymbal – Selection and Mounting Considerations10: Suspended Cymbal – Striking TechniquesCONCERT CYMBALS 101 LESSON SERIES WITH JAMES CAMPBELLART OF BOP DRUMMING 01: Lesson Series IntroductionART OF BOP DRUMMING 02: Hallmarks of the Swing EraART OF BOP DRUMMING 03: Swing Era Listening RecommendationsART OF BOP DRUMMING 04: Transition from Swing to Bebop EraART OF BOP DRUMMING 05: Time Keeping in the Bebop EraART OF BOP DRUMMING 06: Creating the Appropriate Sound for the GenreART OF BOP DRUMMING 07: Imagining the Sounds You Want to CreateART OF BOP DRUMMING 08: Tuning the Drums to Create a Legato SoundART OF BOP DRUMMING 09: Selecting Cymbals for Jazz StylesART OF BOP DRUMMING 10: Selecting Appropriate Sticks for JazzART OF BOP DRUMMING 11: Finding the Sweet Spot on the CymbalART OF BOP DRUMMING 12: Techniques for Getting Great Cymbal SoundsART OF BOP DRUMMING 13: Always Have the Best Cymbals on the GigTHE ART OF BOP DRUMMING: LESSON SERIES WITH JOHN RILEYMarching Cymbals 101: Care and MaintenanceMarching Cymbals 101: Tying Cymbal StrapsMarching Cymbals 101: Cymbal SelectionMarching Cymbals 101: Garfield GripMarching Cymbals 101: Posture and Standby PositionMarching Cymbals 101: Set PositionMarching Cymbals 101: Hip Rest PositionMarching Cymbals 101: Gumption PositionMarching Cymbals 101: Vertical PositionMarching Cymbals 101: Flips 1, Set to GumptionMarching Cymbals 101: Flips 2, Set to Hip RestMarching Cymbals 101: Flips 3, Sones Flip Gumption to SetMarching Cymbals 101: Flips Ex 1 – Set, Gumption, SetMarching Cymbals 101: Flips 4 Gumption to VerticalMARCHING CYMBALS 101Improve Your Groove Series 01: Introduction to ShufflesDRUM SET TRANSCRIPTIONS & BREAKDOWNSImprove Your Groove Series 02: Shuffle Phrasing Nuance 1Improve Your Groove Series 03: Shuffle Phrasing ExercisesImprove Your Groove Series 04: Shuffle Phrasing Nuance 2Improve Your Groove Series 05: Shuffle Phrasing Nuance 3Improve Your Groove Series 06: Drop-Pickup TechniqueImprove Your Groove Series 07: Adjusting LH Stick AngleImprove Your Groove Series 08: Shuffle Ride PatternsImprove Your Groove Series 09: Shuffle Ride Patterns 2Improve Your Groove Series 10: Shuffle Ride Patterns 3Marching Cymbals 101: Flips 5 Jones Flip Vertical to GumptionImprove Your Groove Series 11: Adjusting 8th Note PhrasingImprove Your Groove Series 12: Adjusting LH 8th Note PhrasingImprove Your Groove Series 13: Applying it to a GrooveImprove Your Groove Series 14: Playing in the CracksMarching Cymbals 101: Flips – Ex 2 Gumption to Vertical, Back to GumptionImprove Your Groove Series 15: How to (or not to) Ruin a GrooveImprove Your Groove Series 16: Improve Your 8th Note Rock GrooveMarching Cymbals 101: Flips 6 Vertical to SetImprove Your Groove Series 17: Adjusting HH Foot PressureImprove Your Groove Series 18: RLRR-LRLL Sticking 1Marching Cymbals 101: Full Flips Combination Exercise 1Improve Your Groove Series 19: RLRR-LRLL Sticking 2Improve Your Groove Series 20: RLRR-LRLL Sticking 3Improve Your Groove Series 20: RLRR-LRLL Sticking 4IMPROVE YOUR GROOVES WITH STANTON MOOREComparing Cymbal Selection in the Orchestral LiteratureQuincy Davis: How My Listening Evolved Over TimeCymbal Selection in the Front Ensemble with Rob FergusonInterview with Australian Artist Vanessa TomlinsonCymbal Selection in the Front Ensemble with Iain MoyerProfiles in Percussion with Garry Kvistad, PAS Hall of FameProfiles in Percussion with James Campbell, PAS Hall of FameProfiles in Percussion with Garwood Whaley, PAS Hall of FameEd Choi: Cymbal Selection in the Orchestral LiteratureProfiles in Percussion with James RossProfiles in Percussion with Chicago Symphony Percussionist Patsy DashProfiles in Percussion with Henrique De AlmeidaKonrad Graf: Cymbal Selection and Performance TechniquesProfiles in Percussion with Michael Burritt, Eastman School of MusicA Conversation with Joseph Schwantner on “Fast Forward”Performance Video and Interview with the Kracken QuartetCymbal Selection in the Front Ensemble with Brian Dinkel & the Blue DevilsARTISTS & EDUCATOR INTERVIEWSLock Style Marching Cymbal Techniques 01: Intro, Posture and Basic PositionsLock Style Marching Cymbal Techniques 02: Bring Ups & Downs in the Port PositionLock Style Marching Cymbal Techniques 03: Basic Crashes in the Flat PositionLock Style Marching Cymbal Techniques 04: Softer Crashes in the Flat PositionLock Style Marching Cymbal Techniques 05: Chokes in the Flat PositionLock Style Marching Cymbal Techniques 06: Hard Prep CrashesLock Style Marching Cymbal Techniques 07: Taps, Zings and DingsLock Style Marching Cymbal Techniques 08: HiHat, Sizzles, Sizz-Press and Sizz-Suck01: Evolution of the Ride Pattern – Pattern on Non-drum Surfaces02: Evolution of the Ride Pattern – Pattern Played with Brushes03: Evolution of the Ride Pattern – Pattern Played on Hi-hatsEvolution of the Ride Pattern: Bonus Hi-hat Lesson04: Evolution of the Ride Pattern – Pattern Played on Small Cymbals05: Evolution of the Ride Pattern – Zildjian’s Influence on the Ride Pattern06: Evolution of the Ride Pattern – Pattern Played on Large Cymbals07: Evolution of the Ride Pattern – Transition to Bebop, the Influence of Kenny ClarkeTHE EVOLUTION OF THE RIDE PATTERN WITH COLLEEN CLARK
This installment of Drum Set Transcriptions features Carlin White performing “Looking for a Change” at vfJams Season 2, along with Robert Sput Searight and the all-star vfJAMS band. Recorded in the iconic Studio 1 at EastWest Studios in Hollywood, CA in January 2019. Download Tim Buell’s transcription and the drumless play-along tracks to record your own rendition!
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